Originality in the 21st Century
When I began to work as an artist I wanted to be completely original, wholly singular. I housed a strong disdain for art history; I didn’t want to learn from …
When I began to work as an artist I wanted to be completely original, wholly singular. I housed a strong disdain for art history; I didn’t want to learn from …
I do any art form I can get my hands on; my artistic curiosity is something that I both enjoy and take pride in. There are, of course, art forms …
Like any good artist/thinker, every once in a while I have an existential crisis. Is there any point? Does looking at pretty pictures ever actually matter? Am I making any …
It took me a while to decide on a New Year’s resolution this year. I had little plans, making sure I was doing things on time and keeping my life organized, …
My first intensive weekend class at Lesley University perfectly exemplified the source of my passion and of community art: the sheer amount of creative energy that can accumulate from a …
As I began my foray into the actual theory and thought of the existing community art world, I encountered a discrepancy at the very entrance: no one knows exactly what …
It’s about time for me to mention the woman who first introduced me to the world of Community Art: Claudia Bernardi. I’ve already alluded to her once or twice because, as …
So far I’ve been focusing mostly on communities creating art, which makes sense when trying to define Community Art. I’ve listened to musicians, read about museums, and researched as much …
For the past month I’ve been in a whirlwind of everything happening very quickly interspersed with moments of absolute nothing. Neither of these states has encouraged my writing here, although …
I’ve been haunting the New Village Press website recently, wallowing in indecision about whether or not to buy one of their fantastic books. On one hand, I would love to be able …